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Submit an MCR Ticket

Submit an MCR ticket (DoR)

Definition of Ready · MCR submissions. Read once, bookmark it.

Every ticket you submit on Monday is read automatically the moment it lands. An automated reviewer we call BRAT (Brutally Rational Assessment Tool) checks whether there’s enough for a creative to start.

Definition of Ready (DoR) is a standard term: the agreed set of criteria a request must meet before work can begin on it - the shared bar for “ready to start.” This page is the MCR board’s DoR - everything below is what that bar is, and how to clear it on the first try.

01 · The three outcomes

Here’s what each one means for you and your timeline:

Sufficient

Straight to the queue

Your ticket moves into In-Progress. This is the goal - and what this guide is built to get you.

! Needs attention

Almost there

Something’s missing or doesn’t add up. The ticket stays on in Triage - you’ll be asked to fix some things.

✕ Rejected

Back to drafts

There wasn’t enough to start with. The ticket gets purged and you’ll resubmit with specifics per DoR specs.

→ The full mechanics (daily rechecks, the 2-fail lock) live on How review works - BRAT.

02 · The golden rule

If you only remember one thing

Give the creative enough to start without having to come find you - what it is, who it’s for, and where it’s going.

You don’t need to be a creative director or write the copy. You just need to answer three things:

  • What is this? - the deliverable
  • Who is it for? - the audience or channel
  • Where is it going? - the destination

If a designer, copywriter, or photographer could read your ticket and begin - you’re done.

03 · Where to submit

Submit through the MCR form - it opens in a new tab and walks the same fields this guide covers. The MCR board is where your ticket then lives and moves through the queue.

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Two ways in - and only two. Use the form for a single ticket, or the bulk-import spreadsheet for many complete tickets at once (trained operators - project managers or their trained assistants; see section 16). Don’t build a ticket by hand-typing into a board row.

Both paths capture every field correctly at submission - that’s what keeps tickets consistent and protects the automations that fire on creation, including the folder hierarchy. Hand-keying a row is slower, error-prone, and risks touching fields that lock once those automations have run. (Filling the columns the form can’t set - Scope, Request Type, Assignee - is the one expected on-board step, done in triage.)

04 · Pick the ticket flavor

The Copy Needed? column is your first fork. It tells us who picks up your request.

You chooseUse it whenWho picks it up
NoYou need visuals only: image, video, render, layoutDesigner / photographer / videographer / CG artist
Copy OnlyYou need words only: naming, headlines, product copy, email copyCopywriter
YesYou need both words and visualsCopywriter + a visual creative
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If you pick Copy Only, the system automatically sets your Request Type to Copy. Don’t fight it.

05 · Classify the work

Classify the work: the three columns that drive everything

Section titled “Classify the work: the three columns that drive everything”

These three columns tell the reviewer what kind of brief to expect. Getting them right - and consistent with your Overview - is half the battle.

Where does it live?

Digital Web & MarketingE-CommerceProduct ImagesPrint CollateralEvents & TradeBrand AssetsSales Enablement

What exactly is it?

Case StudyRep ShowProduct TrainingSocial MediaPrint AdsBannerBrochureFlyerPosterTrifoldCatalogSignVinyl GraphicDigital AdDisplayApp ShotLogoPromoTradeshowWebsiteEmail BlastWebinarE-CommerceProductionCampaign
Campaign A strategic push assembled from other tickets
What it isThe strategic push behind a body of work - it can span multiple products (several fan models, a whole luminaire line) and multiple channels, and its goal is the business outcome (reach an audience, drive traffic, sell more). The campaign ticket usually carries the anchor deliverable: the headline asset that ties the push together (classic example, a 60-second hero video), often assembled in post-production by the campaign ticket’s assignee from work produced on other tickets - social cuts, an email blast, CG animation, renders, photography, videography.
RequiredThe campaign’s core message / theme, its goal, and its audience (one sentence can cover all three). If there’s an anchor deliverable, name it - e.g. ”60s hero video, assembled once the contributing assets land.”
Brief the planBrief the plan, not the finished work, and link the contributing tickets so the assignee can find the source - see Linking related tickets in section 11.
Craft rules applyIf the anchor is a render, the 3D-source rule still holds; if it’s an edit, the source footage (or a link to it) is still required. Campaign tells us the role; the Request Type tells us the craft requirements.
When not toHeaded to one channel with no broader push? A single standalone social asset is Scope = Social Media, not Campaign.

What skill is needed?

PhotographyVideographyGraphic DesignCopyPost-productionGen AI VideoGen AI PhotoVoiceoverRendersAnimationSpec SheetsLine DrawingsInstruction ManualsCam Solve
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These three must agree with each other - and with your Overview. “Email Blast + a request to pick a product name” doesn’t add up. “Print Collateral + a website hero image” doesn’t add up either. Mismatches get flagged every time.

06 · Get the Brand right

The Brand column is a dropdown - you pick from the list, no typing. Valid options:

WAC GroupDweLEDWAC LightingModern FormsSchonbek SignatureSchonbek BeyondSchonbek ForeverWAC LandscapeWAC LimitedAiSPIREVENTRIXSchonbekSchonbek CustomWAC ColorscapingWAC Architectural
  • WAC Group is the umbrella: a brief under it can cover one sub-brand, several, or corporate work. All fine.
  • A specific sub-brand (e.g. VENTRIX) is restrictive - keep the brief inside that brand’s product line. Don’t put VENTRIX in the column and then describe a Modern Forms fan.

07 · Write the brief

This is the heart of your ticket. Here’s what “enough to start” looks like for each kind of work. Click any craft to expand.

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Required → include it or your ticket gets held.
Nice to have → strengthens the brief, never required. Leave creative direction (mood, pacing, lighting, angles) to the experts if you’re not sure.
Copy Words only
RequiredBrand + Category + the topic or product + actionable creative request overview description.
Nice to haveVoice/tone, word count, audience, SEO keywords.
NoteLight briefs are genuinely fine here. One or two sentences works for naming, headlines, SEO, rebranding, and email copy. The research and writing is the deliverable - you don’t need to pre-write anything.
Graphic Design Brochures, flyers, banners, logos
RequiredThe deliverable format (brochure / flyer / banner / digital ad / logo). If Print Needed? = Yes, also fill the Print Size column.
Nice to havePage count, fold style, brand notes, reference images.
Photography Stills
RequiredThe subject - which product/SKU or what scene.
Nice to haveStyle direction, reference imagery, output format, date.
Videography Motion
RequiredThe subject or concept - what’s being filmed.
Nice to haveAudio direction, storyboard, creative direction.
NoteAspect ratio and length are only required for Social Media (see section 09). Otherwise the editor sets them.
Voiceover Read scripts
RequiredThe script (attached or inline), or clear direction on what’s to be read.
Nice to haveTone/pacing, length, language(s), delivery format.
Post-production Editing existing footage
RequiredWhere the source footage lives. Attach it in Files/Assets or drop a link in Additional Link/s. If you say “from the existing shoot” but link nothing, the ticket gets held.
Nice to haveCut style, audio direction, clip names/timecodes, deadline.
CGI: Renders, Animation, Cam Solve Read section 08 carefully
RequiredA 3D source file (STEP, OBJ, FBX, or BLEND) attached directly to the ticket. No file = ticket gets held.
Nice to haveClean background plate with no hard shadows or unusual lighting, so the CGI artist can composite the new product at the correct perspective and lighting angle.
NoteSee the dedicated section 08 below for more information.
Gen AI Photo · Gen AI Video Same rules as their counterparts
NoteGen AI Photo = Photography. Gen AI Video = Videography. The AI part happens on our end.
Spec Sheets · Line Drawings · Instruction Manuals Technical docs
RequiredA technical source (datasheet link, engineering drawing, or an existing sheet to match) + the product(s).
Nice to haveTarget audience, a template to match.
NoteAttach the technical source and you’re basically done - these are mechanical, not creative.

08 · CG: 3D source files

Accepted 3D files:

.stp.step.obj.fbx.blend

The only way around it - if the artist genuinely already has the model from past work, say so specifically:

  • Good “We have the STEP from past work on SKU 12345.”
  • Good “Same model as ticket #482, just new angles.”
  • Bad “The file’s around somewhere.” / “product management has it.” (still gets held)

Extra rules by type:

  • Animation: you must also state a duration target (it drives cost and scope).
  • Cam Solve: you must also attach a plate (the footage or still to track): image (.jpg, .png, .tif, .webp) or video (.mp4, .mov), plus the 3D source.

09 · Social media specs

When Scope = Social Media, the platform specs are the brief. Include:

  • Required: aspect ratio (e.g. 1080×1350, 9:16), the platform (Instagram feed, Reels, TikTok, LinkedIn, Pinterest), and duration for video.
  • Nice to have: creative direction. The social team owns the creative call within brand guidelines.
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You don’t need to spell out “feed vs Reels” if the aspect ratio already says it: 1:1 / 4:5 = feed · 9:16 = Reels / Story / TikTok. Just give the ratio and platform.
1:1 · feed4:5 · feed9:16 · Reels / Story / TikTok

A complete brief in one line: “Q2 Modern Forms outdoor fans launch, IG feed + Reels, 1080×1350 hero + 9:16 vertical, 15-second cut.”

10 · The SKU column

The SKU column is optional, but if you use it, one value only.

  • ✓ Good One full SKU: WS-W12345-30-WT
  • ✓ Good A family root if there are many variants: WS-W12345
  • ✗ Bad A list: SKU1, SKU2, SKU3 - breaks folder automation
  • ✗ Bad Placeholders: NA, N/A, TBD, none - just leave it blank instead
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Need to reference several specific SKUs? Put them in the Creative Overview or the attached brief - not the SKU column.

11 · Print, tradeshow & website

Print Needed? = Yes: size. The Print Size column must hold a real size - at least width × height (e.g. 8.5x11; separators x * / by all work), or a named size (A4, Letter). A single number (20) or a placeholder (N/A, TBD) gets held. Putting the size only in the PDF doesn’t count - the column is what’s checked.

Print Needed? = Yes: quantity. Quantity is required on a print job. Put a number; 0 is fine if you don’t know the run size yet (a project manager can set it later). Leaving it blank on a print job will hold the ticket.

Tradeshow & events. Work for an event or tradeshow goes under Intended Use = Events & Trade with Scope = Tradeshow / Rep Show / Webinar. Most of it is physical - if it’s being printed, set Print Needed? = Yes and follow the print rules above.

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Linking related tickets - the Dependent On column. Whenever one ticket is built from several others - a campaign’s anchor video assembled from separate shoots, or a tradeshow booth that needs a video and graphics and print - use the board’s Dependent On column to connect them. Then anyone opening a ticket can see what feeds it, or what it feeds into. This is good workflow hygiene that keeps the board clean.

Link in one direction. Pick one:

  • Recommended: each contributing ticket points up at the main ticket (the person working a social cut or a shoot immediately sees it’s feeding Campaign #123), or
  • the main ticket lists all its contributing tickets.

Website Use? = Yes. Name the destination URL or page placement, either in the Website Overview or the Creative Overview.

12 · Common mistakes

Each of these is a mismatch between your columns and your Overview - the “doesn’t add up” traps.

Scope = Email Blast, but the Overview asks to pick a product name.
?
A name is a brand decision that has to happen before an email exists. It’s not an email request.
If you actually want an email, brief the email (what it announces, the audience, the CTA). If you want a name, set Scope to a brand/naming-appropriate value - not Email Blast.
Brand = Modern Forms, but the brief is about a Schonbek chandelier.
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Sub-brand and content don’t match.
Match the Brand column to what the brief is actually about - or use WAC Group if it’s genuinely cross-brand.
Intended Use = Print Collateral, but the Overview describes a website hero.
?
Channel and deliverable don’t match.
Pick the Intended Use that matches the real deliverable.
Scope = Production + Request Type = Post-production (or Copy, Renders, Design).
?
Production means capture - an actual shoot.
Use Post-production for editing. Use Production only for actual shoots (Photo / Video / Voiceover).
Copy Only, but Request Type isn’t Copy.
?
The two columns contradict each other.
Let the auto-set stand, or set Request Type = Copy.
Scope = Campaign for a one-off, standalone asset (a single social post with no broader push behind it and no contributing tickets).
?
Campaign signals a strategic push with an anchor deliverable - not a lone asset headed straight to one channel.
If it’s genuinely just one asset, use the channel’s scope (Social Media, Email Blast…). Reserve Campaign for when there’s a concept or anchor that other tickets feed into.
Scope = Campaign + Request Type = Spec Sheets / Line Drawings / Instruction Manuals / Cam Solve.
?
Those are technical docs or a CG sub-step, not a standalone campaign deliverable.
Pair Campaign with a creative-output Request Type (Videography, Graphic Design, Copy, Photography, Renders…), or pick a Scope that matches the doc or CG craft.

On email blasts (Scope = Email Blast): you are never expected to write the email copy — that’s the copywriter’s job. A complete brief is just the email’s purpose (what it announces or promotes), who it goes to, and the action it should drive (the CTA), plus a subject-line cue if you have one.

This pairs naturally with Copy Needed? = Copy Only, and the ticket is automatically routed to the team’s email specialist once it lands.

What you must not do: use Email Blast for a naming or brand-research ask (e.g. “pick a product name”) — a name has to exist before an email can use it, so that’s a separate request (see the mismatch table above).

13 · Two ways to brief

A ticket passes if either your Creative Overview or an attached brief (PDF / DOCX) gives enough to start. You don’t need both.

ScenarioVerdict
A solid Overview alone Passes
A thin Overview but a detailed PDF attached Passes - we read the PDF
Overview says “see attached” but the PDF carries the brief Passes
Both thin, but together they add up Passes
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One catch: if your Overview points to external material (“see the Dropbox link”, “from this vendor”), make sure a link or file is actually attached (Files/Assets or Additional Link/s). Saying “see link” with no link gets held.
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We only read PDFs and Word docs for the brief. Images, 3D files, and screenshots are passed straight to the assignee - so attach as many as you like. They help the creative even if they’re not the “brief.”

14 · Pre-submit checklist

Run through this before you hit submit. Your progress is saved in your browser, so feel free to come back to it.

Ready to submit?
Tick each item as you confirm it. Your progress is saved in this browser.
0 / 11
All boxes ticked? You're ready to submit. Submit a ticket

15 · Last thing

It’s not personal: it’s usually a one-line fix. Reply on the Monday item with the specific missing piece - the held ticket will tell you exactly what it is. Concrete specs always beat “urgent, please.”

The faster the brief is complete, the faster your work ships. That’s the entire reason this guide exists.

→ Held or bounced anyway? Here’s how to fix it fast.

16 · For project managers

This appendix is for trained operators - project managers or their trained assistants - only. Everything below is about two columns that are locked on the board on purpose - Override (HUMAN) and Override (BRAT). Only a trained operator can change them. If you’re submitting a ticket, you’re done at the checklist above - these levers aren’t for you.

BRAT re-checks the board automatically once a day (early morning). After two unsuccessful passes it locks a ticket and stops re-checking it. These two override columns let a trained operator move a flagged ticket forward without waiting for that daily cycle. They do different jobs - one overrules BRAT, the other asks BRAT to look again.

Override (HUMAN) → “Yes” — promote a ticket now

Section titled “Override (HUMAN) → “Yes” — promote a ticket now”

This is the everyday lever, and it works whether or not BRAT has locked the ticket yet. Most Needs Attention tickets are flagged for a mundane reason: the submission form can’t set Scope, Request Type, or an Assignee, so BRAT correctly reports them empty. The brief itself is fine - it just needs a human to fill the operational columns the form couldn’t.

Use it only when the brief is genuinely actionable - the Creative Overview, or an attached PDF/Word brief, is substantive enough that a creative could start:

  1. Read what BRAT listed as missing in the item update.
  2. Fill those columns - typically Scope, Request Type, and Assignee (Work) - plus the operational fields needed to start: Copy/Creative (if copy is involved) and the relevant Due Date (Work or Copy).
  3. Flip Override (HUMAN) to Yes (the only label - it’s either “Yes” or blank).

If every required column is filled, the downstream automations fire and the ticket moves to In Progress right away. If anything is still missing, Monday silently resets the column back to blank - that’s your signal that a required field is empty. Fill it and flip again.

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This is a judgment call, not a bypass. Only reach for it when the brief is actionable. If a ticket was flagged because the brief itself is thin - something major is missing, not just a column - flipping this just pushes incomplete work to a creative. Fix the brief (or bounce it back to the requester) instead.

Override (BRAT) → “Reevaluate” — make BRAT look again

Section titled “Override (BRAT) → “Reevaluate” — make BRAT look again”

Once BRAT has locked a ticket (two failed passes), the daily review skips it from then on. Override (BRAT) → “Reevaluate” is the only way to put a locked ticket back in front of BRAT - it triggers a fresh evaluation immediately instead of leaving the ticket stuck. Use it when a locked ticket’s brief has since been improved and you want BRAT to re-judge the content. (On a ticket that isn’t locked yet, flipping this does nothing - the daily review still owns it.)

SituationLeverWhat you’re doing
Brief is solid, the ticket just needs its columns filledOverride (HUMAN) → YesOverruling BRAT’s column complaint and sending it to work.
A locked ticket’s brief has since been fixed and you want BRAT to confirmOverride (BRAT) → ReevaluateHanding the call back to BRAT, not making it yourself.

→ Full detail on the status levers lives on Project manager.

When one campaign spawns several adjacent tickets - a render, an animation, some Gen AI work, a few app shots - don’t hand-create them one at a time. Use the spreadsheet import template.

Map every column and cell to Monday’s fields exactly, then import the file.
Download bulk-import template
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Trained operators only - project managers or their trained assistants. Every column and cell has to map exactly to Monday’s fields, or the import lands malformed. If you’re not confident in that mapping, submit through the form instead.